The MTCA Coaching Team
The Power of a Team
“The team’s passion, genuine love for each student, and commitment to excellent work are unparalleled.”
MTCA grew out of our Founder Ellen’s experiences as a theatre educator. Over many years of coordinating classroom curricula, productions, workshops, and entire educational theatre programs, she saw firsthand how much students benefitted from having dynamic theatre professionals bring their own experiences and specific teaching expertise to young artists.
This proved especially powerful with college audition prep. Ellen saw that receiving guidance, insight, and feedback from graduates of top audition programs increased a student’s knowledge of the audition process, auditioning confidence, and overall audition success rate!
With all of this in mind, we have carefully selected a uniquely diverse group of expert coaches. Each coach is both a passionate teacher and a currently-working performing artist, director/music director/choreographer, or practitioner of vocal arts medicine.
As our student base grows, we continue to add new teaching artists to maintain the personalization of instruction that can only come with small student-teacher ratios. In 2012, Ellen added two partners, each with unique skill sets, to join her in shaping the organization of the growing team. Ellen and these partners, Leo Ash Evens and Charlie Murphy, serve as the MTCA Leadership Team. They continue to expand and refine MTCA’s work in direct response to the ever-changing college audition process while still remaining true to our mission statement.
Most importantly, our coaches work as a cohesive team. We coordinate the individualized coaching experience of each student to take maximum advantage of our Team’s collective expertise.
Scroll down to meet the members of our Coaching Team.
Ellen M. Lettrich
Leo Ash Evens
Allison Spratt Pearce
Lee Aaron Rosen
Rhyn McLemore Saver
Rachel M. Stevens
Katie Whalley Banville
Cara Massey Pruyn
Ellen Lettrich, Song & Vocal Tech Coordinator
Marcus Crawford Guy
Anne L. Nathan
Allison Spratt Pearce
Vocal Technique Teachers
Vocal Health/Medical Voice Therapy
College Essay Tutor
Lee Aaron Rosen
Ellen has been a vocal coach for 25 years, drawing upon her diverse experiences as a performer, director, award-winning high school teacher, and medical voice clinician. As a performer, Ellen’s favorite roles include Petra in A Little Night Music, Becky in Do Black Patent Leather Shoes Really Reflect Up? and Sister Robert Anne in Nunsense. She has directed shows including Once On This Island, Pippin, Damn Yankees, West Side Story, Guys and Dolls, and many more at the college and high school levels. Ellen’s expert knowledge of musical theatre song repertoire makes her a sought-after consultant for both students and professional actors building their audition repertoire books.
In addition to coaching, Ellen holds a Master of Science degree, an American Speech-Language-Hearing Association Certificate of Clinical Competence, and a New York state license in Speech-Language Pathology. She specializes in medical voice therapy and served as Educational Outreach Coordinator and clinician for the University of Pittsburgh Voice Center from 2007-May 2010 and as a Voice and Speech Pathologist with Weill Cornell’s Parker Institute for the Voice in NYC from May 2010-Oct. 2016. She now maintains a private voice therapy practice and continues to work collaboratively with laryngologists in NYC and nationwide. Her patients have included Tony and Obie Award-winning performers, recording artists, teachers, attorneys, business executives, and other professional voice users. She especially loves working as a voice therapist with high school and collegiate theatre students and child and adolescent professional performers.
Ellen served as one of two Assistant Voice Coaches for the Broadway musical Matilda from Dec. 2012 until Jan. 2014 where she had the great joy of working with, among other members of the wonderful cast, MTCA alumnus Clay Thomson! After working on its off-Broadway run in 2014, Ellen was Vocal Coach for Hand to God on Broadway from Feb. 2015-Jan. 2016. She also served as vocal health advisor for the 2016 Broadway production of The Crucible and the 2017 off-Broadway production of Yen. Ellen brings her knowledge of the vocal demands an 8-show week to MTCA students to foster strong vocal health habits before they enter the rigorous collegiate training environment.
Ellen hails originally from the Pittsburgh area and is passionate member of the Steeler Nation! In spite of her vocal health expertise, she cannot promise to use healthy voicing during Steeler games.
Born and raised in Pittsburgh, PA, Leo is a Carnegie Mellon graduate with a BFA in Acting/Musical Theatre.
Leo’s proudest performing accomplishment to date is starring as the Emcee in Cabaret. First, at Houston’s Theatre Under The Stars (TUTS) w/Leslie Kritzer, where he went on to win Best Actor in the Houston Theatre Excellence Awards, and then reviving the role at The Arvada Center, in Denver, CO.
Leo’s currently in School of Rock on Broadway (vacation cover). Last year, Leo stood by for Brooks Ashmanskas in Shuffle Along on Broadway and took over the role for the last two weeks of the run. The show starred Audra McDonald, Brian Stokes Mitchell, Billy Porter, Josh Henry, and Brandon Victor Dixon. Directed by George C. Wolfe and Choreographed by Savion Glover. He made his Broadway debut in Jesus Christ Superstar. Off Broadway: Jasper in Deadland by Ryan Scott Oliver and Hunter Foster, Finks (Bobby Gerard) at the Ensemble Studio Theatre, IONESCOPADE: The works of Eugene Ionesco at The York Theatre, and P.J. Dunbar in the premiere musical Wanda’s World at The 45th Street Theatre (directed by Lynne Taylor-Corbett).
Leo’s played Riff in West Side Story in a multitude of productions including: London’s West End (dir/choreo: Joey McKneely); The 50th Anniversary US Tour; Houston TUTS (dir/choreo: by Jerome Robbins assistant, Alan Johnson); Barrington Stage; North Carolina Theatre; The Recording Academy Honors, and the opening number of GYPSY OF THE YEAR with original Broadway stars Chita Rivera, Carol Lawrence, Mickey Calin, and Ken Le Roy (honoring the original 1957 Broadway company, choreographed by Joshua Bergasse; “Smash”).
Tours: Billy Lawlor in 42nd Street in Moscow, Russia; Disney’s On The Record; and Casper The Musical, starring Chita Rivera.
NYC Readings/Workshops include: Diner (music/lyrics: Sheryl Crow; dir Kathleen Marshall), The Honeymooners (dir Jerry Mitchell), Harmony (music/lyrics: Barry Manilow), and Yank (The York). The New York Music Theatre Festival (NYMF): Fingers and Toes, Going Down Swingin’, But I’m A Cheerleader, and The Taxi Cabaret.
Regionally: Black Stache in Peter and the Starcatcher at the Pioneer Theatre in Salt Lake City, UT and at the Victoria Theatre in Dayton, Ohio. Bert in Mary Poppins at the Westchester Broadway Theatre, Jamie MacRea in Matthew Lopez’s world premiere play, Somewhere, starring Priscilla Lopez (The Old Globe and Theatreworks in Palo Alto, CA), Mark in Rent (Weston Playhouse); Will Parker in Oklahoma!, starring Shirley Jones (Pittsburgh CLO and Casa Mañana); Jimmy Smith in Thoroughly Modern Millie(The Arvada Center); Ren in Footloose (Pittsburgh Musical Theater); Billy Lawlor in 42nd Street, starring Beth Leavel (The MUNY); and Tulsa in Gypsy, starring Patti LuPone, music directed by Paul Gemignani, and directed by Lonny Price (Chicago Ravinia Festival).
Voice overs: Signed with Innovative Artists, Leo’s currently the voice for Siemens Technology. National Voice overs: Sharp, Foster Grants (starring Brooke Shields), JC Penney, V8, Avis, and GoGurt. Demos for Smoker’s Health, Visa, Macy’s, Dannon, Eukanuba, Liberty Mutual, Mercedes-Benz, and Fortiva. Industrials for Goldman Sachs, Dropbox, and Ralph Lauren.
In addition to acting, and coaching for MTCA, Leo career coaches for professional actors. Current clients are working with Leo on getting an agent, accessing their goals, learning how to infuse positive energy into their careers, and utilizing their tools to book them the jobs they really want.
More information at www.leoashevens.com
Originally from Wexford, PA–Charlie is a proud graduate of Carnegie Mellon University.
As an actor, he has performed for the NY Public Theatre’s “Shakespeare in the Park” (All’s Well That Ends Well and Measure for Measure), the Pearl Theatre Company (Richard II), the Hudson Valley Shakespeare Festival (King Lear, The Three Musketeers, Romeo and Juliet, Love’s Labour’s Lost), Middlebury Actor’s Workshop (Cat on a Hot Tin Roof), The Arts Center of Coastal Carolina (The Unexpected Guest), The Shakespeare Theatre of DC (Richard II, Henry V, As You Like It, and Mrs. Warren’s Profession), and the Chautauqua Theatre Company (Much Ado About Nothing, Vaidehi, and Ah, Wilderness!). Along with MTCA coaches Ryan Quinn and Katie Hartke, Charlie co-founded and is the Managing Director of Esperance Theater Company — a company that produces classical-based work here in NYC (http://www.
As a teacher, Charlie has been working with MTCA for over 10 years. Aside from his teaching with MTCA, he has served as the Apprentice Coordinator for Hudson Valley Shakespeare Festival’s in-season Apprentice Program, where he helped design curriculum and taught classes in Acting, Auditioning, Voice and Speech, and Shakespearean Text/Acting to up-and-coming actors in the HVSF company, while providing mentorship and guidance for their professional development. He also spent some time as a Teaching Artist for HVSF’s High School Education Program, teaching Shakespeare/Acting to English classes in the NY area, including multiple residencies at the Chappaqua Summer Scholarship Program.
While at Carnegie Mellon, he worked as a TA of Acting, Voice, and Speech and at CMU’s Pre-College program as an assistant teacher of both Audition Technique and Voice & Speech. In shorter stints, he has led classes and workshops at Queensborough Community College in Auditioning and Acting, and at the City University of New York in Professional Actor Development, among others.
Shawn Hickey is a graduate of the Ball State University BFA Musical Theatre program and an MTCA alumna. In her senior year of high school, she applied to 20 colleges and universities with a 100% academic acceptance rate while maintaining her status as a National Honor Society member and AP student. Shawn guided her entire admission process, submitting all application materials and scheduling all of her auditions on her own. She received a 4-year academic Presidential Scholarship as well as a 4-year Merit scholarship to Ball State University. In her time at Ball State, she worked in the Department of Theatre and Dance office alongside the Recruitment Coordinator and Department Chair. It was during this time that she discovered her love for the audition and application process from the other side of the table. She received the Ball State University Employee of the Year Award for her work in this position during her junior year. (This award is given annually to the Ball State employee designated best among all adult and student university staff.) After graduation, Shawn began working as an academic student advisor and educational staff member for Broadway Artists Alliance.
Shawn is self-proclaimed school research and organizational nerd and is thrilled to be able to combine her knowledge of the college audition process with her love of organization to help MTCA students and families navigate this process in a sane, organized, and dare we say fun way.
Ali was born and raised in Minneapolis, MN. She is a proud graduate of The University of Minnesota/Guthrie Theater BFA Actor Training Program.
As an actor, Ali was most recently seen in the world premiere of Nick Gandiello’s THE WEDGE HORSE Off- Broadway with Fault Line Theatre. She is proud to have made her Broadway debut in Larry David’s Fish in the Dark. Ali made her off-broadway debut in The Awesome 80’s Prom. She has been seen in several shows at The Guthrie including the regional premier of Annie Baker’s Circle Mirror Transformation, and Adam Rapp’s one-woman show The Edge Of Our Bodies. Other Guthrie credits include: A Midsummer Nights Dream, The Great Gatsby, What May Fall, Vanya & Sonia & Masha & Spike, Master Butchers Singing Club, and A Christmas Carol. She has done over a dozen productions at the Tony Award winning Children’s Theater Company in Minneapolis. Ali has had the good fortune of playing some dream roles all over the country, Juliet in Romeo and Juliet at Southwest Shakespeare being one of the highlights. She has worked at other wonderful regional theaters including Baltimore Center Stage, Cincinnati Playhouse in the Park, Arizona Theater Company, Park Square Theater, and The Director’s Studio. Ali has done workshops and readings with MCC, Labyrinth, The Playwrights Center, Second Stage, The Pearl, Fault Line Theatre, and others.
Ali is also a voice-over artist and can be heard in commercials for Target, Disney, and plenty of PSA’s.
As a teacher, Ali has taught theater, music, and visual art to impoverished children all over the world through ASTEP (Artist’s Striving To End Poverty). This work has taken her around the states, to Africa, and to South America. Ali has served as responder, teacher, and judge at the Kennedy Center’s American College Theater Festival. She Specializes in teaching and creating workshops to use art for good in the world and to promote social change. Ali is also a certified yoga instructor and teaches currently at The Harlem Yoga Studio.
Lea DiMarchi is originally from Honolulu, Hawaii. She’s a graduate of Carnegie Mellon University, where she received a BFA in Musical Theatre/Acting. Additional training includes spending a summer abroad with BADA (British Academy of Dramatic Arts) to study Shakespeare in Oxford.
Regionally, Lea has played Roxane in Cyrano de Bergerac, Queen Elizabeth in Richard III, Missy in the Marvelous Wonderettes at the Texas Shakespeare Festival, and Annie Sullivan in The Miracle Worker at the Judson Theatre Co. TV credits include guest starring on Hawaii Five-0 for CBS. She is also featured in the upcoming Blumhouse Productions film The Night III Opened, starring Naomi Watts, set to be released in 2019. Lea is particularly passionate about Shakespeare and won 1st place in the ESU National Shakespeare Competition’s Hawaii branch, which led her to the finals at Lincoln Center. She is actively pursuing her career in NYC and is grateful to do what she loves!
Lea experienced the academic and audition rigors of applying for both competitive conservatory and liberal arts institutions. Despite being accepted to an Ivy League university, Lea decided that pursuing a BFA in a conservatory setting was the path for her. She has no regrets. She is actively pursuing her own career in NYC and is grateful to do what she loves! She hopes to help younger students feel empowered in whatever type of higher education they choose to pursue.
Originally from Cleveland, OH, Gwendolyn got her BFA from Vassar College in a self-designed major called “Text and Performance,” and her MFA from Juilliard (Group 45). Some favorite school credits include the world premiere of Still by Jen Silverman, and Tom Stoppard’s Arcadia. In between college and graduate school, she was an Apprentice at the Actor’s Theatre of Louisville where she was in A Midsummer Night’s Dream and an immersive theater piece called Heist! as part of the Humana Festival. She then acted regionally in classics like A Streetcar Named Desire at Gulfshore Playhouse.
After graduating, Gwendolyn made her television debut in Emmy-nominated Genius as Young Elsa Einstein. She’s also in a webseries called Sink Sank Sunk starring Laura Linney and Will Seefried that had its world premiere at the Bentonville Film Festival. She has been coaching self-tapes for the past several years, with actors whose experience levels range from beginner to exceptionally accomplished.
Kelly is a Pittsburgh native who received her BFA in Acting from Ithaca College, and she is also an MTCA alumna! She is jazzed to be a part of this incredible company that, she feels, is entirely responsible for her success in college admittance. Kelly got her start in the third grade when she joined an after-school theatre company called Act One Theatre School (because the most popular girl in the whole third grade class was doing it and Kelly really wanted to be friends with her…she had really pretty hair). On the first day of Act One, Kelly fell head over heels for performing and never looked back. Recent theatre credits include: Orphans and Outsiders (American Theatre for Actors), Aphrodisiac (Loft227), One Nation, One Mission, One Promise (The Player’s Theatre), Three Christs (Dixon Place), and Midsummer Night’s Dream (Ithaca Shakespeare Company). Recent film credits include: Isabella, The Water Turkey, Father & Son, and Bits and Pieces.
Drew is the son of a chemist and accountant Drew hails from Sarasota, FL. He studied dance while performing as a company member of the Asolo Rep Theater for 5 seasons. He moved to NYC in 2006 to attend the Juilliard School where he received the “John Houseman Award” which is given each year to the student who shows most excellence in classical work.
Upon graduating he spent the next two years performing in Arthur Laurents’ final company of West Side Story. Other Broadway credits include Doctor Zhivago directed by Des MacAnuff and you can currently see Drew in the revival of Sunset Boulevard with Glenn Close at the Palace Theater through June.
Drew works regularly in regional theaters across the US including: Dallas Theater Center, Shakespeare Theater of DC, Orlando Shakespeare Festival, The MUNY in St. Louis, the Hollywood Bowl in LA, Shakespeare Santa Cruz, The Old Globe in Sand Diego and more.
As a director he recently directed the world premiere of What We Wanted at the Clurman Theater on 42nd street. He has directed at Juilliard, Chautuaqua Theater Company, Bucks County Playhouse, and is the Artistic Director of Shakespeare at the Manor which has brought Shakespeare’s plays to Shelter Island, NY. for the past 4 summers.
Drew will be directing the 2nd year students at Juilliard this fall in their Shakespeare Project.
Born and raised in the Philadelphia area, Katie received her Bachelor of Music in Musical Theatre from Catholic University in Washington DC. She then went on to attend the two year conservatory program in acting at Circle In the Square Theatre School in New York.
As an actor, Katie is a co-founder, development director and company member of the NYC-based Esperance Theater Company, where she played Olivia in their inaugural production of Twelfth Night this past December. She has appeared in 10 seasons with the Hudson Valley Shakespeare Festival, where favorite roles include Viola (Twelfth Night), Imogen (Cymbeline), Lucrece (The Liar), Rosaline (Love’s Labours Lost), and Helena (A Midsummer Night’s Dream); Arc Stages (Love/Sick); Portland Stage (A Christmas Carol); Middlebury Actors Workshop (Cat on A Hot Tin Roof); Shadowland (Clybourne Park, Love/Sick); Epic Theatre Ensemble (Othello); Flux Theatre Ensemble (Life Is A Dream); Core Theatre Comp (Wonder of the World); and the NY Fringe (A Tiger in Central Park). TV/Film: Boardwalk Empire, Guiding Light, College Humor, The Circuit, and various commercials and voice overs.
Katie is also a teaching artist and coach for young acting professionals. She has been a Teaching Artist with HVSF’s Education Program since 2004, working with both students and teachers . She has lead workshops at West Point Military Academy, The Masters School, Blythedale Children’s Hospital, and the Chappaqua Summer Scholarship Program, among dozens of local area middle and high schools. She has also lead Teacher Resource Workshops, where she teaches English teachers how to present Shakespeare to their students from an actor’s perspective. Katie has lead workshops at HVSF and New Paltz University in career and image counseling, helping to prepare college students and young professionals for the rigors of a career in the acting industry.
Carl Howell was born and raised in southern New Jersey and earned his BFA in Drama from NYU Tisch, where he trained at the Atlantic Acting School.
As an actor, his work includes the 1st National Tour of Peter and the Starcatcher (directed by Alex Timbers and the late Roger Rees); and in New York, Twelfth Night (The Pearl), Sleepless City (Pipeline Theatre Co), and The Land Whale Murders (Shelby Company). Regionally, he has appeared at Syracuse Stage (Deathtrap), Repertory Theatre of St.Louis (A Midsummer Night’s Dream), and two seasons with Hudson Valley Shakespeare Festival, (Cymbeline, Love’s Labor’s Lost, Twelfth Night, and the title role in Romeo and Juliet).
He has been seen and heard in staged readings of new and classic plays with The Acting Company (R.U.R., dir. Dana Ivey) and the Atlantic Theater Co (The Man Monster Mary Jones, dir. Lileana Blain-Cruz.)
As a current faculty member at the Atlantic Acting School, he has been very lucky to teach in the NYU and Part-Time programs. He has also been a Teaching Artist with the Hudson Valley Shakespeare Festival, and conducted student workshops in cities around the country while on tour with Peter and the Starcatcher.
He has twice been selected for workshops with Kevin Spacey, at The Old Vic in London and the Brooklyn Academy of Music.
Carl is so excited to join the MTCA team of Monologue Coaches, and absolutely cannot wait to work with his students on their pieces and meet the next generation of great theatre-makers. Bring it on – let’s make something special!
You can find him online at www.carlhowell.com
Jesse Jensen is an actor and writer from the San Francisco Bay area. He holds a MFA in Acting from the Old Globe/University of San Diego. He also holds a BA Degree in Film Production with a Theater minor from Loyola Marymount LA.
As an actor, his theater credits include: Dogs of War, Plastic Rose (Edinburgh Festival), Richard III, As You Like It, Inherit the Wind, The Tempest, Much Ado About Nothing, Twelfth Night, The Winters Tale, Amadeus, and Death of a Salesman (The Old Globe, San Diego CA), Brahman/I (The La Jolla Playhouse), The Heiress (Long Beach Playhouse), West Side Story (MTLA), and The Merry Wives of Windsor (Kingsmen Shakespeare Co.) Jesse has appeared on television in CSI, Cane, Cold Case, Person of Interest, and in the feature film Wasted. As a writer his works include: [Plays] The Untold Story of John Wilkes Booth, Kill Television; [Short films] Lea, The Clown, Tuesday, Parallax Tracks; [Fiction] Jake. He is also an original founder and member of the Los Angeles based art collective The Bagavagabonds where he has curated such art programs as the 5for50 Film Exercise, the Front Porch Players, and the BV Art Explosion.
Growing up with a father in the military, Allison lived in many places around the world. Since graduating from Elon University with her BFA in Musical Theater, she has consistently worked in the performing arts field from Broadway to film. To broaden her education and experience in dramatic, classical, and Shakespearean acting, Allison auditioned for and was accepted into the prestigious drama program at The Old Globe/USD in San Diego, CA, where she received her MFA. She and her husband fell in love with southern California and now reside in San Diego with their daughter.
Allison was in the original Broadway casts of Good Vibrations, Cry Baby and Curtains (original recording and Tony’s). Off Broadway: originated the role of Miss B. in Enter Laughing (original recording); toured nationally and internationally as Sandy in Grease and Sally Bowles in Cabaret. Allison proudly originated the following roles: In The World Premieres: Janice in Come From Away, Victoria in Sideways (The La Jolla Playhouse), Jane in Emma (The Old Globe), Evelyn in The Girl In The Frame (Goodspeed and Manhattan Theatre Company). Selected regional credits include: Eliza Doolittle* in My Fair Lady (Capital Repertory & Cygnet), Maria* in The Sound of Music, Betty in White Christmas, Judy in 9 to 5 (SDMT), Phoebe in As You Like It, Katerina in Amadeus, Ceres in Tempest, Viola in Twelfth Night (The Old Globe), Emily in Disgraced (SD Rep), Allison won the Craig Noel Award for her role of Louise in Gypsy (Cygnet).*Nominated for a Craig Noel Award for best actress. She is a consistent working actress very active in commercial, print and theatre work.
Allison is a professor of Theatre and Music Theatre at the University of San Diego and Grossmont College. She has been teaching around the world and privately for more than 17 years.
Originally from Racine Wisconsin, Ryan received his BA in Theater from the University of Wisconsin Madison, where he was awarded the Smith and Butt prize for artistic achievement. He then attended The Yale School of Drama, where he received his MFA.
As an actor Ryan most recently worked Off Broadway in Bedlam’s production of Dead Dog Park at 59E59th. Other Off-Broadway credits include the world premiere of Whorl Inside a Loop (w/ Sherie Rene Scott) at Second Stage; The Killer (w/Michael Shannon), Antony and Cleopatra (w/Laila Robins), both directed by Darko Tresnjak, King Lear (w/Michael Pennington, dir. Arin Arbus), and Hamlet (w/ Christian Camargo, dir. David Esbjornson) at Theater for a New Audience. As an actor, he is most proud of returning to his home state of Wisconsin to perform the lead role in Yellowman at The Milwaukee Repertory Theater, and with his eight seasons with The Hudson Valley Shakespeare Festival. Regionally, he has also worked at The Old Globe, Yale Repertory Theater, and others.
Additionally, Ryan is a director and teaching artist. He is the Artistic Director and Co-Founder of the Esperance Theater Company (esperancetheatercompany.org), and has also directed for The Hudson Valley Shakespeare Festival, TinyRhino, NYU’s Atlantic Acting School, and NYU’s MFA Playwriting Program. As a teacher, he has worked with Lincoln Center for the Performing Arts, Manhattanville College, The Hudson Valley Shakespeare Festival, Vassar College’s Powerhouse Apprentice Training Program, The National Shakespeare Company and others, teaching classes in Acting, Text, Shakespeare, Stage Combat, Movement, Games, and Improvisation.
Born and raised in Miami, FL, Alejandro is a graduate of The Juilliard School, where he received the Michel St. Denis Prize for outstanding achievement. New York performance credits include the world premiere of Ghetto Babylon (National Latino Playwrights Award) at 59E59, the premiere of Jorge Ignacio Cortiñas’ Bird in the Hand at Theater for the New City, King Lear opposite Billy Porter, the title role in Romeo and Juliet for The Acting Company, etc. Regionally, he’s performed at The Kennedy Center, the Guthrie Theatre, Denver Center Theater Company and the Humana Festival, among several others. His film and TV credits include Nurse Jackie (Showtime), Dates from Hell (Discovery ID), and the feature film Emoticon 😉, which won the Cast Collaboration award at the annual Genart Film Festival in NYC.
Alejandro is the co-founder of the interdisciplinary performance collective Shook Ones, and he develops programming for Artists Striving to End Poverty, a nonprofit that connects artists with underserved kids around the world (astep.org).
Lee Aaron Rosen has worked with teenagers as a coach, director, teacher and mentor for over a decade with New York’s 52nd Street Project. As an actor, Lee has worked with some of the most prominent directors in the American theater, including George C. Wolfe, David Esbjornson and Doug Hughes. His Broadway credits include The Big Knife and The Normal Heart (which received the 2011 Tony Award for Best Revival of a Play). He has also appeared as “Cliff Bradshaw” in the national tour of the Tony award-winning production of Cabaret. Off-Broadway credits include Tom Stoppard’s Indian Ink (Roundabout Theatre Company), Gabriel (Atlantic Theater Company), and The Lady From Dubuque (Signature Theatre); regionally, he has appeared at the Old Globe, the Huntington Theatre, the Westport Country Playhouse, the Williamstown Theatre Festival, the Bucks County Playhouse, the Actors Theatre of Louisville, Ford’s Theatre, Centerstage, and the Barrington Stage Company. On television, Lee has appeared in “Limitless,” “Elementary,” “The Good Wife,” “The Big C,” “Nurse Jackie,” “Person of Interest,” “Damages,” “Law & Order: Criminal Intent” and “Guiding Light.” Film credits include Saving Private Ryan, Company K, Sidewalk Traffic, and the documentary Doctors of the Dark Side. He is also featured in the award-winning web series 80/20. In addition, his voice can be heard in several Rockstar Games titles, as well as in the PBS documentary series Superheroes: A Never-Ending Battle. Lee received his MFA from NYU’s Graduate Acting Program.
Aaron Rossini is an actor, director, producer and teacher based in New York and raised in Pittsburgh. He is a founder and artistic director at Fault Line Theatre (www.FaultLineTheatre.org). He received his B.F.A. in Acting from Miami University of Ohio and completed his M.F.A. at the Brown University/Trinity Rep Graduate Program. In addition to his work at Fault Line Theatre, Aaron is a freelance producer and Associate Director of Volunteer Outreach at Artists Striving to End Poverty.
Fault Line Theatre: The Oregon Trail, The Wedge Horse, At the Table (Time Out New York Critics’ Pick), Breathing Time (world premiere play by “House of Cards” creator Beau Willimon), The Faire, Doctor Faustus, Frogs (2012 NYIT Award nominee for BEst Director and Best Remount), From the Same Cloth, From White Plains (2012 NYIT Award nominee for Best New Play, New York Times and Time Out New York Critics’ Pick), Hitchhiker’s Guide to the Galaxy. New York: Guerrilla Shakespeare Project, Funny Sheesh Productions, Sanguine Theater Company, Hip to Hip Theatre, Target Margin Theatre, Fringe NYC, Planet Connections, Emerging Artists Theater, Young Playwrights, Inc. Regional: Shakespeare Theatre of New Jersey, Trinity Rep, Kitchen Theatre Company, White Heron Theatre Co., The Gamm Theatre, Purple Rose Theatre Company, Michigan Shakespeare Festival, The Boar’s Head Theatre, The Mosh Pit Theatre
Born and raised on Jekyll Island, GA, Rhyn is a graduate of the Carnegie Mellon School of Drama (BFA, Musical Theatre). Off-Broadway: Sheldon Harnick’s A World to Win (The York Theater). Other NY credits: title role in Violet (The Gallery Players); the world premiere of Bridgeboy (The Active Theater); Elizabeth Proctor in The Crucible (The Gallery Players). Favorite regional credits include: Mash in Stupid F***ing Bird (Actors Express) and Sarah in Company (Actors Express); Marian/Chiara in The Bridges of Madison County (Aurora Theatre – Southeastern regional premiere); Percy Talbott in The Spitfire Grill (Cape Fear Regional Theater); Stella in A Streetcar Named Desire and Emily in Our Town (WV Public Theater); Abigail Williams in The Crucible and the Courtesan in The Comedy of Errors (NC Shakespeare Festival); Mother in Ragtime and Jeanie in Hair (Weathervane Theater); Belle in Beauty and The Beast and Rizzo in Grease (Beef and Boards); Luisa in The Fantasticks (The Spoleto Festival). Currently: Nell Parsons Cobb in Split in Three (Aurora Theater). Upcoming: Fascinating Rhythm with Transcendence Theatre Company in Sonoma, CA.
Rachel is a New York City based director and teaching artist. Most recently, Rachel served as Assistant Director to Rachel Chavkin on the Broadway premiere of Dave Malloy’s Natasha, Pierre & the Great Comet of 1812. This past summer, Rachel served as Resident Director, for Front Porch Theatricals of Pittsburgh PA, where she directed both The Spitfire Grill and Floyd Collins. Rachel was Assistant Director to Andy Blankenbeuhler at Papermill Playouse, for the world premiere of The Bandstand, scheduled for its Broadway debut this spring.
Other highlights from Rachel’s work as Director and Assistant Director include: Henry & Mudge (TheatreworksUSA), Fiddler on the Roof, Hairspray, Yo, Vikings! (Upper Darby Summer Stage, PA), Natasha and Pierre & the Great Comet of 1812 (American Repertory Theater; dir. Rachel Chavkin), Preludes (LCT3/Lincoln Center Theater; dir. Rachel Chavkin), Outside Mullingar (City Theatre in Pittsburgh; dir. Tracy Brigden) and Smart Blonde (City Theatre in Pittsburgh; dir. Peter Flynn). Rachel has developed and directed new works and workshops including: the world premiere of Kerrigan and Lowdermilk’s Tales from the Bad Years (loft 172, Brooklyn) and The World’s Fair, in conjunction with NYU’s MFA Musical Theater Writing program. Rachel is an SDC Associate and MTC Fellow.
Rachel is also a dedicated teaching artist. Rachel has taught master classes in Devising, Musical Theater and Directing with Point Park University and University of the Arts. In New York, Rachel is excited to be working with Bound For Broadway Kids this spring as a Production Advisor with the Broadway Jr. Musical Theater program in conjunction with the Shubert Foundation. Regionally, she has had the great fortune to direct and teach students for the past ten years with Upper Darby Summer Stage, one of the leading educational arts organizations on the East Coast. Rachel served as an Education Apprentice with Imagination Stage, Bethesda MD, in 2009. While in the D.C. area, Rachel worked as a teaching artist with Young Playwrights of D.C. and Arts Stream, an organization specializing in access education in the dramatic arts for students with disabilities.
Rachel received her BFA in Musical Theater from Point Park University and her MFA in Directing from The Actors Studio Drama School at Pace University.
Broadway: You Can’t Take It With You Off-Broadway/Regional: Henry V – Public Theater, Midsummer Night’s Dream – Delacorte Theater, Passover-Cherry Lane, Diaspora-Gym at Judson, Red Velvet – Shakespeare & Co., Breitwisch Farm – Esperance Theatre, Mother of the Maid – Berkshire Playwrights Lab, Witnessed By The World – 59 E 59, Imagining the Imaginary Invalid– Mabou Mines, Billy Witch – Studio 42, How Shakespeare Won the West -Huntington Theatre, A Few Good Men & Of Mice and Men – Pioneer Theatre, Richard II – Yale Repertory, The Jammer – The Edinburgh International Fringe Festival (Winner of Fringe First Award). The Hangar Theatre, Northern Stage, The Kitchen, The Shakespeare Theatre. Readings at The Public Theater and The Lark. TV: Chicago Med, Blue Bloods, Masters, of Sex, Odyssey, Brooklyn Taxi, Law & Order SVU. Training: Ithaca College BFA, Yale School of Drama, MFA.
Growing up in Los Angeles in a theatrical household, Amanda began her performance education early. Since graduating from California State University, Long Beach with her BA in Theatre Performance, she has worked as a professional actress, deviser, dancer, and writer in both theatre and film mediums. As one of six chosen collaborators, Amanda received a full scholarship to UC Davis, where she received her MFA in Acting. She is a trained comedy improvisor and also has conservatory training from The Actors Center (NYC) and Harvard/ART.
Amanda was in original productions of The Dogs of War and Plastic Rose (2014 Edinburgh Fringe Festival). She also wrote and starred in an original one-woman show called La Gyp, and was awarded a grant to co-write and perform in an experimental theatre piece entitled Wigs. Other theatre credits: Rose of Sharon in The Grapes of Wrath (UC Davis), Kitty in Anna Karenina and Thea in Hedda Gabler (Chrysalis Stage), Veronica in Chicago and Consuelo in West Side Story (Musical Theatre Los Angeles), and Rosannah in Brilliant Traces (Front Porch Players). TV and film work include: Mad Men (AMC), and Lea, Phantom of the Press, and The Clown, all produced by the LA-based art collective Bagavagabonds.
Amanda has been coaching and teaching Acting at the college level for over two years.
For more info, visit www.amandavitiello.com
Originally from Pittsburgh, Adria attended Penn State University, where she got her B.F.A. in musical theater. After moving to NYC and then tooling around the country doing a couple of national tours, she made her way to New Haven, CT where she got her M.F.A. in acting from the Yale School of Drama. On the stages of YSD, Adria played roles such as Natalya in A Month In The Country, The Princess of France in Love’s Labour’s Lost, Portia in The Merchant of Venice, Ingrid in Peer Gynt, and Marfa and Natasha in a brand new adaptation of Chekov shorts called Rubles. At the Yale Cabaret, Adria had the opportunity to perform as Ronnette in Little Shop of Horrors and Gail in the musical The Do-Over. She also had the extreme pleasure of originating the role of Olga in The Three Sisters Or A Dormouse’s Tale, a new musical. Additionally, she performed in and understudied the role of Natasha in Rough Crossing at the Yale Repertory Theater.
In New York City, Adria has worked at Manhattan Theatre Club in Broadway’s The Columnist, Lincoln Center in Blood And Gifts, and at the Ensemble Studio Theatre in Interviewing Miss Davis. Regionally, she has worked at Cincinnati Playhouse in the Park (Milady in The Three Musketeers), Flat Rock Playhouse (Maggie in Cat on a Hot TIn Roof), Kansas City Rep (Cherie in Bus Stop), Alabama Shakespeare Company (Lydia in The Flag Maker Of Market Street), and Arkansas Rep (Caroline Cushing in Frost/Nixon).
Originally from Littleton, CO, Katie graduated from Carnegie Mellon University with a BFA in Acting.
Since graduation, Katie has performed with the Public Theatre’s Shakespeare in the Park (All’s Well That Ends Well), New Jersey Shakespeare (Henry VIII), Shakespeare on the Sound (As You Like It, The Two Gentlemen of Verona), Harbor Lights Theatre (Steel Magnolias), and Allentown Shakespeare (Twelfth Night). She has also workshopped new plays with both the Public Theatre and Roundabout Theatre. Katie is a founding member of the theatre collective Exit, Pursued by a Bear (Restoration Comedy, These Seven Sicknesses).
In New York, Katie has been coaching for college auditions for several years. In Colorado, she helped run the acting and dance program for the Encore Performing Arts Academy for children and teens. There, she taught several classes and workshops including scene study, text work, monologues, ballet, jazz and tap.
Originally from San Diego, CA, she trained and worked professionally as a contemporary and modern dancer before transitioning into musical theatre. She graduated summa cum laude from Illinois Wesleyan University with a BFA in Music Theatre before moving to New York to pursue her performance career.
Performance credits: Escape to Margaritaville, Freaky Friday (La Jolla Playhouse), A Doll’s House (The Old Globe), Dainty June in Gypsy, Company, Parade, Cabaret, Man of La Mancha, My Fair Lady (Cygnet Theatre – Resident Artist), Jenny Hill in Big Fish, Gingy in Shrek, Catch Me If You Can, Spamalot, Music Man (Moonlight Stage Productions), Andi Lee in 42nd Street, White Christmas, Chicago, Ragtime, Singin’ in the Rain (San Diego Musical Theatre), Passion, Gypsy (ion theatre company). Choreography credits: A Christmas Carol (Cygnet Theatre), Gutenberg! The Musical! (Backyard Renaissance), and Lucky Stiff, Cinderella, 80 Days at Grossmont College, where she works with high school and college students as part of the Summer Conservatory Program.
She is currently working toward her MFA in Musical Theatre at San Diego State University, focusing on musical theatre dance history and choreography. For more information: www.katiewhalley.com
Darren Biggart is a New York based performer, teacher, and producer. He earned his BFA in Musical Theatre at the University of Michigan, and has performed in NYC (City Center Encores! Off-Center) on tour (ELF), Off-Broadway (Prospect Theatre Co, NYMF, Lincoln Center) and at regional theaters throughout the country (Madison Square Garden, Kennedy Center, MUNY, PCLO, Northern Stage).
Darren is the creative director for the non-profit A Broader Way, which was founded by Idina Menzel. (www.abroaderway.org) Additionally, since its inception in 2013, Darren has been an associate producer for the Encores! Off-Center series at New York City Center in Manhattan.
As a teacher and choreographer, Darren has worked at Plymouth State University (NH), Broadway Dance Center (NYC), Steps (NYC), The Studio New Canaan (CT), and of course, MTCA!
Candi is the Universal Swing for five different companies of Jersey Boys, including Broadway, Las Vegas, National tours #1 and #2, and South Africa, where she covers 52 characters in each company!
She is originally from Pittsburgh, PA, where she started dancing at age 3 and acting and singing at age 11. She attended Point Park University where she graduated in 3 years with a BFA in Musical Theater and a Minor in Dance with a Jazz Concentration. On the day of her graduation she was hired by Norwegian Cruise Lines as a Lead Female singer. She worked for Norwegian for two years and performed all over the world, from Iceland to Russia to Finland to Portugal to the Caribbean.
Her favorite professional performance credits include: Jersey Boys (Broadway, Mary Delgado), Annie (Northern Stage, Lily St. Regis), The Happy Embalmer (NYMF, Mrs. McChrystal), Jesus Christ Superstar (Kansas City Starlight), and Contact (Pittsburgh Playhouse).
She has appeared in many commercials including spots for Optimum Cable, Romano’s Macaroni Grill, Wild Turkey, 1-800-OK-CABLE, The Warner Bra, Iyogi.com, Taxi Shoes, UPMC, Ray Catena, and Manfredi Chevrolet.
She has performed at Superbowl XLVIII, on The Daily Show with Jon Stewart, at The Plaza Hotel, The St. Regis Hotel, 54 Below and The Macy’s Thanksgiving Day Parade.
For more information visit candiboyd.com
Kurt is a native of Denver, Colorado and has appeared on Broadway as Don Kerr in the recent revival of A Chorus Line (directed by original company members Bob Avian and Baayork Lee). Kurt holds a BFA in Musical Theatre from the University of Cincinnati/CCM. He has also been seen in the first national tour of 42nd Street (revival) and was in Irving Berlin’s White Christmas. (directed by Walter Bobbie/choreographed by Randy Skinner) at the Ordway Center in St. Paul, MN. Off-Broadway, he has played principal roles in All Is Love (New York Musical Theatre Festival), A Naughty Knight (Duke Theatre/ Jewish Rep), and Jones and Schmidt’s Roadside (York Theatre). He also appeared in the Radio City Christmas Spectacular at Radio City Music Hall. Regionally, he has been seen as Skimbleshanks in Cats (Sacramento Music Circus, dir. Richard Stafford), Action in West Side Story (Houston TUTS, dir. Alan Johnson), Bobby in A Chorus Line (Geva Theatre / Ogunquit Playhouse), Billy Boy Bill in Urinetown (Geva Theatre), The Music Man (dir. Molly Smith / Arena Stage), A Funny Thing Happened on the Way To The Forum, Very Good Eddie (Goodspeed Opera House), Hot Mikado (Ford’s Theatre, Washington DC), as well as numerous performances at the St. Louis MUNY, Pittsburgh Civic Light Opera, Cape Playhouse, Atlanta’s Theatre Of The Stars and over 10 productions with the Sacramento Music Circus. Kurt was also the associate choreographer/ director for A Chorus Line at the North Shore Music Theatre in Beverly, MA.
Kurt recently directed and choreographed the children’s musical, PISTACHIO: The Brooklyn Girl Made from Trash, for the outreach program at the Brooklyn Arts Council. In addition, he will be choreographing Evita and Daughter Of The Regiment for Opera North in Lebanon, NH for the summer of 2016.
Kurt is the Co-Owner/ Co-Founder of Broadway Kids Auditions (BKA) here in NYC, focused coaching and workshop for pre-professional kids ages 8-14. www.broadwaykidsauditions.com
Courtney is originally from Scottsdale, Arizona, a proud graduate of Penn State University’s Musical Theatre Program, and an MTCA alum! Courtney grew up studying all styles of dance including ballet, tap, jazz, pointe, modern, and contemporary. She has competed nationally all over the country, and was named Regional Teen Outstanding Dancer of Arizona before going to college to study musical theatre.
Recent performing credits include: Beauty and the Beast (Enchantress, u/s Babette, Ensemble) at Fulton Theatre, Beauty and the Beast (Enchantress, Ensemble) at The Muny, West Side Story (Rosalia), Jesus Christ Superstar (Mary Magdalene), Monty Python’s Spamalot (Laker Girl), and The Three Musketeers at Woodstock Playhouse, Titanic (Mrs. Damico), Guys and Dolls (Featured Havana Dancer, Hot Box Dancer), Working (Female Swing), and All Night Strut (Female Swing) at Pennsylvania Centre Stage. Courtney has a lot of experience working as a dance captain and collaborating with a range of inspiring choreographers. Courtney also has 8 years of pointe experience and has performed in numerous ballets in Arizona. One of her favorite ballet credits includes Nightmare Karen in The Red Shoes.
Courtney is so excited to be joining the MTCA dance team!
Originally from Grand Rapids, Michigan, Julia is a proud graduate of Penn State University’s Musical Theatre Program where she was on the Dean’s List throughout and received the Penn State Presidential Scholarship for Musical Theatre.
National tour: A Chorus Line (Judy) with Michael Bennett’s original choreography set by Baayork Lee. Regional favorites: Paper Mill Playhouse in A Chorus Line (Judy) directed by Mitzi Hamilton, Sacramento Music Circus in A Chorus Line (Judy) directed by Stafford Arima, Pittsburgh Civic Light Opera (The Producers, Curtains), Atlanta Theatre of the Stars (The Producers), Cape Playhouse (Gypsy), Pennsylvania Centre Stage (The Apple Tree, She Loves Me, Pop!). Workshops in NYC: Radio City Spring Spectacular(choreographed by Warren Carlyle) and Bubble Boy the Musical. TV: “Live From Lincoln Center: A Tribute to Marvin Hamlisch” (PBS), Billy Eichner’s “Billy on the Street” (FUSE), “I’m Hip” (Ana Gasteyer’s music video) and webisodes for collegehumor.com. Julia is also a featured dancer with the American Pops Orchestra in Washington DC.
Pre-college, Julia received her training at Ann Reinking’s Broadway Theatre Project (where she was a member of Dave Clemmons’ elite vocal ensemble), the Grand Rapids Ballet (Michigan’s premiere professional ballet company) and the Grand Rapids Academy of Performing Arts (where she was a member of their Senior Company in jazz, tap and musical theatre styles).
For more information visit: www.juliafreyer.com.
Originally from Mariposa, CA, Shiloh graduated with honors from the University of Southern California with her BA in Theatre. Though the town she began her training in was very small, she has since lived in NYC, LA and Tokyo and has performed around the country and world.
As a performer, Shiloh began her career in musical theatre at Sacramento Music Circus in Funny Thing Happened on the Way to the Forum. She has since enjoyed her time with regional productions such as Hairspray, Gypsy, My Fair Lady (Sacramento), South Pacific (Riverside), Guys and Dolls (Musical Theatre West), Dead End (CTG), Anything Goes (Maltz Jupiter) and others. She also traveled the country with the national tour of Camelot. Though she loves the storytelling aspect of musical theatre, she also pursued other dance avenues, dancing with a modern company when she first moved to NYC, in commercials, choreography showcases, and art installations. Other highlights of her performance career include performing as the Little Mermaid flying 40 feet over audiences in Tokyo, leading a 200-person flashmob in Times Square, and dancing in Rigoletto at the Santa Fe Opera. Her recent shows have included two off-Broadway shows (The Anthem and The Screwtape Letters), and the world premier of the new Maltby/Shire musical in Toronto (Sousatzka).
As a choreographer, Shiloh has had the pleasure of associating for amazing mentors such as Lorin Latarro, Josh Bergasse, Marcia Milgrom Dodge, and DJ Salisbury. Most recently she assisted on the production of Chess at the Kennedy Center. She also had the pleasure of working hand in hand with Douglas Carter Beane on his world premier of the musical version of To Wong Foo, presented at AADA. Shiloh loves to associate because she gets to work one on one with the cast as well as witness the immense creative effort on the part of the director and designers that it takes to put up a show. Shiloh also has been creating her own work, most recently seen at New York Theatre Barn. She is an associate member of the Stage Directors and Choreographers Society.
Shiloh has been teaching on and off for years, starting at musical theatre camps, working with private clients and teaching for a dance fitness company. She loves working with young professionals and pre-professionals — she currently is on the dance faculty at AMDA. She has been a private dance coach for years, and also coaches couples for their weddings. Shiloh is thrilled to be working with MTCA – she remembers her own college decision process and how important it was to her to start her professional journey in a place that felt right.
Originally from Louisville, KY, Mara attended the Youth Performing Arts High School and then received her BFA in Musical Theatre from the University of Michigan. She now works as a performer and choreographer all across the country. This summer, Mara will be choreographing Shrek, the Musical at Tuacahn, Thoroughly Modern Millie at Music Theatre Wichita, 9 to 5 at Sacramento Music Circus, and Big Fish at Front Porch Theatricals. This holiday season, she will be choreographing A Christmas Story, the Musical at The Fulton Theatre. Other recent choreography credits include Legally Blonde (Sacramento Music Circus), The Toxic Avenger (Pittsburgh CLO), and A Christmas Story, the Musical at Paper Mill Playhouse/Seattle 5th Avenue Theatre. Mara also got to return to her alma mater and choreograph their recent productions of Guys & Dolls and The Drowsy Chaperone. Other choreography credits include Shrek, the Musical for North Shore Music Theatre, Oliver! for Plymouth State University, Fiddler On The Roof for the Burns Park Players, and the 2015 Lucille Lortel Awards in NYC. As a performer, Mara was seen on Broadway as the dance captain for A Christmas Story, the Musical and also set the Madison Square Garden National Tour. Other credits include On Your Toes (New York City Center Encores), Shrek, the Musical (1st National Tour), Honeymoon In Vegas (Paper Mill Playhouse), Grease, Beauty and the Beast, Full Monty, Oklahoma!, Spamalot, Singin’ In The Rain, Cats, Aida, Damn Yankees, and Footloose (all at the Pittsburgh CLO), Bye, Bye, Birdie and Les Miserables (North Shore Music Theatre), Hello, Dolly! (Cape Playhouse), You Say Tomato, I Say Shut Up! (Regent Theatre), Marvelous Wonderettes (Saint Vincent Summer Theatre), Guys & Dolls (Pittsburgh Public Theatre), and 42nd Street (Maine State Music Theatre). Mara also went to London to assistant choreographer Josh Prince in mounting the West End production of Shrek, the Musical. She has taught for the University of Michigan, MPulse Summer Program, Broadway Dance Center, Proctors Summer Dance Program, US Performing Arts Camp, Beyond the Stars, and the Mosaic Youth Theatre. Mara is a proud member of AEA and SDC.
Originally from Fairfax Station, Virginia, Josh brings eight years of teaching and choreography experience to MTCA.
A recent graduate of NYU Tisch’s New Studio On Broadway with a BFA in Drama, a minor in Business of Entertainment and Media Technologies, and as one of four recipients of the Outstanding Achievement in Studio award, Josh made his faux-Broadway debut alongside the cast of Dames At Sea after winning their first tap contest. He was on Broadway again as a part of the 2016 Broadway Rising Stars Concert at Town Hall. He is currently performing in Mary Poppins at Paper Mill Playhouse.
Other tap performances include: Wolf Trap, DC Tap Festival, Chicago Human Rhythm Project, National Cherry Blossom Festival, and many, many musicals. Select Performance: Crazy For You (Bobby Child, d. Dell Howlett), Kiss Me Kate (Bill/Lucentio, d. Kyle Fabel), 1776 (Richard Henry Lee, d. Kent Gash), Saturday Night (Gene, d. Brian Hill). He has also choreographed for himself and others in all credits listed above.
Natalie Malotke is so thrilled to be part of the MTCA family for many years now!! NY credits include: Charlie and the Chocolate Factory, (Choreography Assistant to Joshua Bergasse (SDCF), Little Dancer, NYC Workshop with Susan Stroman, and Assistant Director on Really Rosie at City Center (dir. Leigh Silverman). Regional Creative and Associate work at Paper Mill Playhouse, Music Theatre Wichita, Pioneer Theatre Company, TexARTS, Wagon Wheel Theatre, and Plymouth State University.TV: PBS’ “A Capitol Fourth “(Assistant Choreographer). Industrial creative projects for Target and The Robin Hood Foundation. Natalie has served as the Resident Director/Choreographer for Nickelodeon on board NCL, is on faculty at Broadway Dance Center, and is on the Artist Board of Off-Center at City Center. Past experience as a casting associate and talent agent at Clear Talent Group. Proud graduate: The University of Michigan. www.nataliemalotke.com
Cara is most recently toured with Billy Elliot. She has played Gertie Cummings (understudy Aunt Eller) in the new Arena Stage’s inaugural production of Oklahoma! and Courtney/Elle’s Mom/Whitney in Legally Blonde on Broadway and in the national tour. Regionally, Cara has worked at Wagon Wheel Theatre in Warsaw, Indiana where she performed in Cabaret (Texas), Anything Goes (Virtue), and Big: The Musical (Ensemble, dance captain). She was also Dance Captain and played Chorusaurus in the 2010 NY Fringe Festival hit Jurrasic Parq: The Broadway Musical.
Cara began dancing at the age of 4 in a tap class at the local rec center in Dallas, Texas. At the age of 8, she began extensive ballet and jazz training at the Academy of Dance Arts, joining their junior jazz company and their ballet company, The Dallas Repertoire Ballet. Throughout her junior high and high school dance career, Cara played many roles in The Dallas Repertoire Ballet’s annual production of The Nutcracker, including Spanish Chocolate, Arabian Coffee and Chinese Tea. She has also competed on the national level with Tremaine Dance Competition, West Coast Dance Explosion, New York City Dance Alliance and Starlight Dance Competition where she was 1st Runner Up Teen National Outstanding Dancer of the Year. In her training, Cara has attended many summer intensives and has worked with many top instructors and choreographers including Joe Lanteri, Anne Reinking, Merrill Ashley, Suzi Taylor, Dan Karaty, Liz Imperio, Jacques dAmboise, Dee Caspary, and Mia Michaels.
Cara is a graduate of The University of Michigan Musical Theatre program.
Katie Rose McLaughlin is a NYC-based choreographer originally from Minneapolis, MN. Trained in ballet under the direction of Bonnie Mathis, she also attended the Joffrey/New School BFA program on full scholarship prior to kicking off her love affair with theater by training at a renowned clown school in Switzerland. She has performed with the Tony-Award winning Theatre de la Jeune Lune and as Esmeralda in several iterations of Redmoon Theater’s Hunchback including runs in Washington D.C. and at the New Victory Theater in NY (where it received a NYTimes Critics Pick).
Notable credits from her wide-ranging choreographic career in theater include Bear Slayer (Ars Nova), The Black Crook (Abrons Arts Center), Parade (Yale Drama), HAMLETMACHINE (LaMama), Tragedy in Spades (University Settlement), and working with David Neumann as Associate Choreographer on Hadestown directed by Tony-nominated director Rachel Chavkin (Edmonton, Citadel & New York Theater Workshop).
In 2013, she co-founded and became the artistic director of Designated Movement Co., a dance/theater company interested in blurring the lines between forms. As a creator, she has been granted an artist-in-residence as part of the Lower Manhattan Cultural Council’s Process Space (2017) to further develop CLARA NOT CLARA, DMC’s contemporary and totally new take on The Nutcracker, which was also developed in 2014 at The Knockdown Center in Queens in a production that featured Kaitlyn Gilliland and the legendary Valda Setterfield. Upstream Residency at Kaatsbaan International Dance Center (2017), and was a featured choreographer at Broadway Dance Lab (2017), in addition to residencies at Barn Arts Collective (in 2015 & 2016) and LMCC’s SPARC program (2013).
Her commissions include Target Margin Theater 2016 lab, where she created an all-female dance version of Act III of Iceman Cometh, which was met with wide acclaim and was later renamed HOPE’S EXIT and produced in 2016 as part of the Exponential Festival. Full production history at designatemovement.org
Morgan Rose is thrilled to be joining the MTCA family! She recently made her Broadway debut in Andrew Lloyd Webber’s newest hit, School of Rock the Musical! Prior to making her debut, Morgan toured with Evita (Revival 1st National Tour) and Shrek the Musical (1st National Tour). Other favorite performing credits include Dear Edwina (Original Off-Broadway Cast), Pirates of Penzance (Barrington Stage Company), The Fig Leaves are Falling (Unsung Musicals), A Chorus Line (Maine State Music Theatre), George M! (Theatre by the Sea), and Funny Girl (Westchester Broadway). She has been seen on the Macys’ Thanksgiving Day Parade dancing with the “Spangles Dance Company,” as well as in multiple events benefitting Broadway Cares/Equity Fights AIDS and Dancers Responding to AIDS.
Morgan is a former faculty member for Broadway Dance Center’s Children Teen Program. She can currently be found teaching for many organizations around NYC, including Broadway Classroom, Camp Broadway, Broadway Workshop, and every so often back at her old stomping ground of Broadway Dance Center. While touring across the country, she reached many students through Broadway Connection and served as an adjudicator and teacher for the Junior Theatre Festival. In addition to teaching her own material, Morgan assists numerous choreographers in the city, including Broadway’s Joshua Bergasse, Richard J. Hinds, and Al Blackstone.
She is a graduate of Florida State University’s BFA Music Theatre program and a proud member of Actors’ Equity Association.
Michael is currently making his Broadway debut in Wicked. A Pittsburgh native and recent graduate of Carnegie Mellon School of Drama, he made his television debut as Rolf in NBC’s live telecast of The Sound of Music starring Carrie Underwood, and can be heard on the cast recording. His stage credits include university productions and productions at Pittsburgh CLO, and he played Lancelot opposite Robert Sean Leanord in Camelot. Film: Cheerleader. Follow @michaelcampayno.
Broadway credits: Prince Topher in Cinderella; Balthasar and understudy for Orlando Bloom’s Romeo in Romeo and Juliet; Once. Regional credits include Avenue Q (Princeton/Rod), The Full Monty (Malcolm), Evita, Dirty Rotten Scoundrels, Beauty and the Beast (Gaston) at Mason Street Warehouse in Saugatuck, Michigan under the direction of Kurt Stamm, and Chess (Anatoly) and Guys and Dolls (Sky Masterson) at the Rocky Mountain Repertory Theatre. At Michigan: Brigadoon (Tommy), The Full Monty (Jerry), Ragtime (Younger Brother).
Training: Graduate of the University of Michigan Musical Theatre program and the Royal Academy of Dramatic Art Shakespeare in Performance program.
Josh is so thrilled to be working with the next generation of musical theatre talent at MTCA! Josh is a NY-based actor who’s been seen in all North American companies of The Book of Mormon: 1st national tour, 2nd national, and the Broadway company. When not ringing fake doorbells, Josh improvises at the Upright Citizens Brigade, is a community organizer in uptown Manhattan, and does countless concerts across the city at 54Below, the Laurie Beechman Theatre, The Cutting Room, Don’t Tell Mama, as well as many other venues. Regional work includes the St. Louis MUNY, Weston Playhouse, Tulane Summer Lyric, and Music Theatre Wichita. Josh was born & raised in New Orleans, LA, is a proud alumnus of CCM Musical Theatre, and is repped by the amazing guys over at CGF Talent. More life!
Alex is thrilled to be a part of the MTCA team! She is currently making her Broadway debut as Cosette in Les Miserables. National tour: Hope Harcourt in Kathleen Marshall’s Tony Award winning revival of Anything Goes. Regional credits include Legally Blonde (Serena), Fiddler on the Roof (Tzeitel), and Honk (Queenie) at Music Theatre of Wichita, and Tarzan (Jane), State Fair (Margy Frake), and Lend Me a Tenor (Maggie) at Wagon Wheel Theatre. Alex graduated with a BFA in Musical Theatre from the University of Michigan.
Dan can currently be seen in the Broadway production of Wicked as a member of the ensemble and the understudy for the role of Fiyero. Touring credits include the understudy for Fiyero in Wicked, the understudy for Tunny in American Idiot, and the understudy for Chris in Miss Saigon.
He joined Actor’s Equity Association in 2011 as a swing in the production of My One And Only at Godspeed Opera House, and has also performed regionally at Kansas City Starlight Theatre, Pennsylvania Centre Stage and Mount Gretna Theatre.
Dan is a proud graduate of Penn State University, holding his BFA in Musical Theatre. He is a native of Franklin, Massachusetts and a massive fan of everything Boston sports!
Ali Gordon was born and raised in New York City. She graduated from the University of Michigan with dual degrees in Musical Theatre (BFA) and English (BA), both with Highest Honors. While at school, Ali had the distinction of writing the first ever student musical to be produced as a University Production. Her script won the Dennis McIntyre Award for Distinction in Undergraduate Playwriting. Since then, Ali has appeared regionally (favorites include The Weston Playhouse, where Ali met best friend and fellow MTCA coach Josh Daniel), NYMF (Crossing Swords) and Off-Broadway (Hell’s Belles). Most recently, Ali has embraced her love of comedy, and can be seen performing at UCB on various house teams and running shows! Ali also co-penned The Party’s Over which enjoyed two sold-out runs at Manhattan Repertory Theatre.
Andrea is originally from Salem, Oregon and graduated with a B.F.A. in Musical Theatre from Syracuse University. She is thrilled to be a part of the MTCA family.
Andrea was last seen on Broadway as the understudy for the two young female leads in the play Indecent at the Cort Theatre. She also was in the most recent revival of Cabaret at Studio 54 where she played Frenchie, the Gorilla, and also understudied the role of Sally Bowles,played by Michelle Williams, Emma Stone, and Sienna Miller. After the revival closed at Studio 54 she stepped into the role of Sally Bowles for the first year of the national tour of Cabaret. Andrea was also a member of the original Broadway cast of Once as an understudy for Girl, Reza, and Ex-Girlfriend. She made her Broadway debut as Alexi Darling in Rent and had the honor of being a part of the closing cast. She can be seen in the film version Rent: Filmed Live on Broadway, which documented the final performance of the Broadway run.
Some of her favorite regional credits: Luisa in Zorro (Alliance Theatre), Girl in Once (Engeman), Valerie in Striking 12 (TUTS), Raz/Others in A Civil War Christmas (Baltimore Center Stage), Belle/Lily in A Christmas Carol (McCarter), Willow in Venice (CTG and Kansas City Repertory), Jane in Tarzan (North Shore Music Theatre), Gabriella Montez in High School Musical (St. Louis MUNY), Sister Sophia in Sound of Music (Syracuse Stage), and Joanna in Big River (Syracuse Stage).
Andrea has also had the privilege of doing many readings and workshops of new musicals in NYC including: K-Pop, Zapata, August Rush, Freckle Face Strawberry, Casanova Returns, Little Miss Fix-It, and Pop.
Marcus is a native Scotsman – the first ever to train with the Drama Division at The Juilliard School (Class of 2014) and a proud graduate of Scotland’s premiere Musical Theatre Course at the Dance School of Scotland. Most recently, Marcus appeared on AMC’s TURN: Washington’s Spies. This followed a successful run of Grammy Award nominated composer + playwright Angel Lam’s Lost in Shanghai with Pan Asian Rep. Notable performances in the city include, Peter & the Wolf with the Little Orchestra Society at BAM, Bill Irwin’s He Built This Place with Theatre-for-One at the Pershing Square Signature Center & Talya Chalef’s PORT CITIES, NY, the first installment in an international, multimedia collaboration. At the 2014 West Village Musical Theatre Festival, Marcus won Best Actor for his performance in Wicked-Frozen!, which went on to play 2 sold out runs at the People’s Improv Theatre. Marcus also creates his own work and this fall his short film Making David Harper’s Actor Reel will begin its festival run, while the screen pilot is developed.
As a teaching artist Marcus has traveled the world – from rural East Africa, to Southern India, to a long-standing relationship with a Central Florida School District where he provides creative guidance to young artists. An active ASTEP volunteer, Marcus believes firmly that it is the performer’s duty to reach beyond the theatre to engage and empower new audiences. He is the 2014 recipient of the Joseph W. Polisi Artist as Citizen Award for outstanding artistic service and contributes annually to the Teaching Artists’ Guild publication.
Marcus has a passion for all things Musical Theatre and in 2010 scored in the Top 10 worldwide in his Associates Diploma in Musical Theatre Performance adjudicated and awarded by the Trinity College of London. One thing is for sure – there will always be a song and dance man inside him! He is thrilled to be a part of the MTCA family and looks forward to sharing his passion for the craft with aspiring students beginning their own professional journeys.
Lee is so excited to join the MTCA team and meet all of you generous, inspiring and talented young artists! Originally from Arkansas, Lee graduated from Carnegie Mellon University with a BFA in musical theatre.
She is currently filming Richard Linklater’s Where’d You Go, Bernadette. She can be seen in Linklater’s upcoming feature, Last Flag Flying, which is opening the New York Film Festival this fall. She also can be seen in NBC’s upcoming series Gone, opposite Chris Noth.
Two summers ago she wrote and performed her one-woman play Jellybean, at the Fringe and United Solo Festival, where she was directed by the wonderful Daniel Jenkins (Big River, Oslo).
Off Broadway: Into the Woods (Roundabout). Regional: Show Boat (Magnolia), Company (Kathy), Merrily We Roll Along (Meg), Man of La Mancha (Antonia), Marvelous Wonderettes (Cindy Lou), I Love You, You’re Perfect, You’re Change (Woman 1), Fiddler On the Roof (Hodel), Dead Man’s Cell Phone (Jean), Carousel (Julie). Workshops: Merrily We Roll Along (Roundabout).
Celia is originally from Kingston, Pennsylvania. She received her BFA in Musical Theatre from The Boston Conservatory and is also a proud MTCA alumna! Soon after she graduated from college, Celia was cast as the Christine Daae alternate in The Phantom of the Opera National Tour. She toured in that role for 2.5 years, going on as Christine twice a week.
Celia’s regional theater credits include Princesses (Piper) at Goodspeed Opera House, Nine (Giullietta/Olga Von Sturm) at SpeakEasy Stage Company. In NYC, she was in the NYMF shows Generation Me (Addison DeVoe) and The Weaver of Raveloe (Eppie) and performed in Carner & Gregor’s Barely Legal Showtune Extravaganza.
Celia is a proud member of Actors Equity Association. www.celiahottenstein.com | Instagram: @celiahottenstein
Lysie graduated Magna cum laude and with Distinction from Ithaca College, where she earned a BFA in Musical Theatre. Since moving to New York, she’s had principal roles in several readings of new musicals helmed by veteran Broadway directors and musical directors. She has also sung at Playwrights Horizons, Manhattan Theatre Club’s Creative Center, The Laurie Beechman Theatre, and in Lincoln Center’s Songbook Series.
Regional credits include Dead Mum in Billy Elliot (Ogunquit Playhouse), Marty in Grease (Summer Theatre of New Canaan), and The Finger Lakes Musical Theatre Festival (Merry-Go-Round Playhouse).
Lysie is very passionate about teaching. In addition to coaching at MTCA, she has been a faculty member at SOCAPA (the School of Cinema and Performing Arts), where she helped create the acting curriculum.
She is an honorable mention winner for The National Foundation for the Advancement of the Arts Awards and a proud MTCA alumna!
Broadway credits: Allegiance, a new musical starring Lea Salonga & George Takei, which premiered at the Old Globe Theatre in San Diego in Fall 2012. Godspell, Flower Drum Song (2002 revival), Stephen Sondheim’s Pacific Overtures (2005 Revival), and the final company of Rent. He originated the role of Boq in the Chicago company of Wicked. Selected other credits: Lucent in The Taming of the Shrew (The Shakespeare Theater, DC), Song in M. Butterfly (Philadelphia Theater Company), Angel in Rent at The Hollywood Bowl (directed by Neil Patrick Harris), Godspell (Paper Mill), Bernstein: Mass (Baltimore Symphony/Kennedy Center/Carnegie Hall), Give It Up! a.k.a. Lysistrata Jones (Dallas Theater Center), Barnaby in Hello Dolly! (The Muny), Simon in Jesus Christ Superstar (Sacramento Music Circus), Thuy in Miss Saigon (PCLO) and Lun Tha in The King & I with Lou Diamond Philips (North Carolina Theater). Recordings: Many original Broadway cast recordings, as well as two solo albums on the Yellow Sound Label – I’ll Cover You (2012) and Songs for You (2016). Film /TV: Glee (Wes, Dalton Academy Warblers), Odd Mom Out (Bravo), Deadbeat (Hulu), Law & Order: Criminal Intent, Rent: Filmed Live On Broadway. BFA: Carnegie Mellon University.
For more info visit www.tellyleung.com
Originally from Missoula, Montana, Michael received a BFA in Musical Theatre from the University of Michigan.
Michael made his Broadway debut understudying the role of Jean-Michele in the 2010 Tony Award Winning Revival of La Cage Aux Folles. He then went on to play Jean-Michele on the First National Tour.
Regionally, Michael has appeared in Les Misérables (Jean Prouvaire) at The Muny as well as Oklahoma (Slim) and White Christmas (Mike) at Pittsburgh Civic Light Opera.
In New York, Michael has been seen in Like You Like It (Phil) at the Gallery Players and has been a part of numerous readings, workshops and recordings. He has also made multiple concert appearances at Carnegie Hall, Lincoln Center, 54 Below, Joe’s Pub, Birdland, and The Metropolitan Room. He made his television debut on “The Guiding Light.”
Since graduating from Michigan, Michael has continued to study acting with Craig Carnelia, Scott Freeman, and Bob Krakower.
John-Michael is honored to be arriving full circle with the MTCA team! He is an MTCA alum and a Pace MT graduate. He has appeared in Off-Broadway shows including Sweeney Todd (Tobias, Barrow Street), The Flick (Barrow Street), Brooklynite (Vineyard), Jasper in Deadland (Prospect), Big River (City Center Encores!), & 1776 (City Center Encores!). TV & Film credits include “NCIS: New Orleans”, “The OA”, & Blind. Regional credits include The Art of Falling (Second City/Hubbard Street) & Choir Boy (Guthrie). Recordings: Jasper in Deadland.
Mitch graduated from Carnegie Mellon University School of Drama with a degree in Musical Theater. He is also a proud MTCA alum! He has appeared regionally in Diner (Signature Theatre, D.C,), Ring of Fire (Pittsburgh CLO) and Cabaret (freeFall Theatre, Florida). At Carnegie Mellon ,he was a member of the team that created Gertrude Stein SAINTS!, winning Best Musical at the 2013 New York Fringe Festival and completing a successful run at the Abrons Art Center in NYC in June of 2014. Other roles include Ed in You Can’t Take It with You and Oscar in The Wild Party. Mitch has also choreographed or assisted on productions of The Drowsy Chaperone, Urinetown! The Musical, Mozart’s La Finta Giardiniera, Once on This Island, The Wild Party and various dance concerts.
Samantha Massell most recently starred as Hodel in the acclaimed Broadway revival of Fiddler on the Roof and recreated the starring role of Rebecca in the lauded revisal of Stephen Schwartz and Charles Strouse’s Rags at the Goodspeed Opera House. A native New Yorker, Samantha made her Broadway debut at age 12 in Baz Luhrmann’s La Boheme. On camera, Samantha has appeared on The Good Fight and will have a recurring role on the upcoming season of Mr. Mercedes. She has appeared in a wide variety of national commercials and in the movies Zug, Beatbox, and How to be a Man. Regionally, Samantha played Florika in the world premieres of Disney’s The Hunchback of Notre Dame at La Jolla Playhouse and Paper Mill Playhouse and is featured on the fan-favorite recording. You can also hear her on the Fiddler on the Roof revival cast recording. She has starred at the historic St. Louis MUNY as Jasmine in Aladdin, Rapunzel in Into the Woods, and Ursula in Bye Bye Birdie. Samantha has done an extensive amount of readings and concerts in New York, including the 92Y Lyrics and Lyricists series and a sold out run of her own debut solo show at 54 Below. She also appeared in the New York City Center Encores! productions of Little Me and It’s a Bird… It’s a Plane… It’s Superman. Samantha is a Phi Beta Kappa graduate of The University of Michigan, where she double majored in Musical Theatre and English and was an 8-term Angell scholar (straight As). For more info, check out www.samanthamassell.com
Anne recently was seen in Sundown Yellow Moon, an Ars Nova/WP Production. Broadway shows include: It Shoulda Been You as Aunt Sheila/Mimsy .Baruska in the Broadway musical Once at A.R.T., NYTW, and The Jacobs, The Roundabout Theater Company’s revival of Sunday In The Park with George playing Nurse, Mrs. and Harriet, Matron “Mama” Morton in Chicago, Emma Goldman in Assassins, Thoroughly Modern Millie (Miss Flannery) and Ragtime. Off-Broadway: Taming Of The Shrew at The Delacorte (The Public Theater) Wings at 2ST; Marthe in the Encores! production of Music In The Air; Aunt Eva in Stephen Sondheim’s Road Show at The Public Theater; and Swingtime Canteen. She has toured with the national companies of Chicago (Carbonell Award), Les Miserables and Aspects of Love. Anne’s regional credits include Lucienne in A Flea In Her Ear, at the Kansas City Repertory Theatre, She has played Charlotte in Falsettos at both George Street Playhouse and The Huntington Theatre Company. Other regional credits include productions at La Jolla Playhouse, Barrington Stage Company and Asolo Theatre Company. Recordings: It Shoulda Been You Once, Ragtime, Thoroughly Modern Millie, Assassins, Road Show, Out Of Context- The Songs of Michael Patrick Walker.
Anne’s film and television credits include You Must Be Joking, Baby Mama, King of California, The Good Wife, Dirt, Law & Order (Trial by Jury, Special Victims Unit, and Criminal Intent), Veronica Mars, What I Like About You, and Bull. She has also been on Three Tony Award telecasts, Letterman, America’s Got Talent, The Today Show, and The Rosie O’Donnell Show. Anne can be seen on the web series Submissions Only. (submissionsonly.com)
Anne is a graduate of The Boston Conservatory and a recipient of the 2013 Distinguished Alumni Award. http://www.annelnathan.
Chris is currently starring as Gaylord Ravenal in the West End production of Showboat. He recently played the male lead role of Chris in the West End production of Miss Saigon. In New York, he most recently understudied the roles of Gerry Goffin and others in Beautiful-The Carole King Musical on Broadway. He made his Broadway debut at the age of 20, covering the lead role of The Balladeer/Lee Harvey Oswald in the Broadway revival of Stephen Sondheim’s Assassins. Other Broadway credits include The Glorious Ones at Lincoln Center, Mamma Mia! (Sky), and Lestat. He played the role of Fiyero in the national tour of Wicked. Chris also covered the role of Fiyero and performed in the ensemble of the first national tour of Wicked.
Regionally, Chris has played Marius in Les Miserables (Marriott Lincolnshire and Music Theatre of Wichita), Tony in West Side Story (Barrington Stage). John Robert in Ace (Repertory Theatre of St. Louis/Cincinnati Playhouse in the Park), Joe Hardy in Damn Yankees (Music Theatre of Wichita), Younger Brother in Ragtime (MTW), Chad in All Shook Up (MTW), Tom Marlowe in Good News (MTW), the Courier in 1776 (Ford’s Theatre) and Ted Hinton in the La Jolla Playhouse production of Frank Wildhorn’s Bonnie and Clyde.
Chris received his BFA from the University of Michigan Musical Theatre program.
Jon-Michael has called Seattle, Delaware, and Texas home, but his roots are firmly planted in the latter. He holds a BFA in Acting/Musical Theatre from Carnegie Mellon University, where he was awarded the Adelyne Roth Levine Award for Acting.
Favorite credits include: My Heart is the Drum (Edward Adu, Gregory Award: Outstanding Actor); Man of la Mancha (Padre) at Theatre Latte Da; Camelot at Westport Country Playhouse; Book of Mormon National Tour; Hairspray (Seaweed) at Drury Lane; King Lear (Cordelia) with EPBB; when last we flew (Paul) at Fringe Encores, GLAAD Award – Best Off-Off Broadway Play; Fantasticks (Matt) at Cincinnati Playhouse in the Park; and various play and musical workshops at Manhattan Theatre Club, New York Theatre Workshop, The Public Theater, New Dramatists, National Black Theater, & The Movement Theatre Company.
Will has worked around the country as both an actor and a composer. New York acting credits include: Sondheim’s Passion (Classic Stage Co.), Tony Kusher’s The Illusion (Off B’way, Signature Theater), Seth Rudetsky’s Disaster! at The Box, A Wonderful Life (George Bailey) at the Engeman. Tour: Mamma Mia! Selected regional: Emma (Frank Churchill) and A Room With A View (Cecil Vyse) at The Old Globe, Big River (Huck) at Goodspeed, Ordinary Days (Jason) at the Adirondack Theater Festival. Film: The Good Shepherd (dir. Robert De Niro.). Will has worked on the developmental workshops of several exciting new projects including Beauty (music by Regina Spektor), Finding Neverland (dir. Rob Ashford), I Dream (dir. Daniel Goldstein), Empire, and Bliss (Public Theater.)
As a writer, Will is the composer and creator of The Greenwood Tree, seen in concert at NYMF in 2009 and as the closing event of the 2010 “Page to Stage Festival” at the Kennedy Center (a reading co-produced by Signature Theater and Folger Shakespeare, DC.) Most recently, Will provided music for Bliss, a play by Jerome Parker (Public Theater Emerging Playwrights). With lyricist/book writer Eric Price: The Sixth Borough (workshopped at Lyric Theater of Oklahoma City as well as Indiana University’s “Premier Musicals”), On The Contrary! (a commission by The Music Theater Company, Chicago) and their children’s musical commission – Around The World, most recently seen at the Utah Festival Opera.
Will wrote the songs for Daniel Goldstein’s (dir. Godspell) ukulele-infused production of The Servant of Two Masters at the Pittsburgh Public Theater, and was a member of the cast as well. He also wrote the music for American Bard Theater Company’s production of Much Ado About Nothing (Flamboyan Theater, NYC).
Will has been honored as the guest composer for both the New York and Chicago iterations of the “Monday Nights New Voices” concert series, and is a proud alum of ASCAP’s prestigious Johnny Mercer Songwriter Project, under the auspices of Craig Carnelia and Andrew Lippa. In 2010 Will was selected for the National Alliance For Musical Theater’s (NAMT) Songwriter’s Showcase. Dream Light Theater Company produced an evening of Will’s songs as part of their “Bright Lights” concert series at the Triad, NYC, and his work has been heard as part of the Songbook concert series at the Lincoln Center Performing Arts Library, also at the celebrated “New Voices” concerts at Symphony Space, NYC. The musical theater department of Roosevelt University in Chicago presented an evening of his songs this April, and a concert version of The Greenwood Tree at Chicago’s Auditorium Theater.
Carnegie Mellon graduate. For more info, visit: www.willreynoldsonline.com
Rob Rokicki is an award-winning songwriter, performer and music director in NYC. He is a member of the Dramatists Guild, Actor’s Equity, the American Federation of Musicians, and an alum of the Tony Award-winning BMI Lehman Engel Musical Theatre Writing workshop.
As a writer, Rob wrote the music and lyrics for the critically acclaimed Off-Broadway adaptation of the popular Percy Jackson novel, THE LIGHTNING THIEF, for Theatreworks USA (book by Joe Tracz). Rob’s musical, LOVE, NY (co-written with Mike Ruby) won the 2009 American Harmony Award and was presented at New World Stages (NY), Curtain Call (CT), and Oklahoma University. Rob has had work featured in the York’s NEO series, at Lincoln Center, Joe’s Pub, Ars Nova & at universities internationally. Also with Ruby: RELATIVITY (Theatre Row, selected for The Pitch at Fingerlakes Musical Theatre Festival), 20 TO LIFE (American University), STRANGE TAILS (West Village Musical Theatre Festival; Best Musical, Best Lyrics, Best Score, Best Book; ANT fest). Composer/lyricist for MARTHA & ME (NY Fringe) and SAMSON’S FIRE (The Cell Theater), GINGERBREAD HOUSE (New York Film Academy). Broadway performers have sung his songs throughout New York, benefits across the country.
As an actor, Rob has performed in national tours, including the EVITA 25th Anniversary Tour directed by Hal Prince and MISS SAIGON. Rob was featured in the televised concert of SOUTH PACIFIC at Carnegie Hall and has many Off-Broadway and New York workshop credits. Regional credits include Gaston in BEAUTY AND THE BEAST (received a Carbonell Award nomination for Best Supporting Actor); Trevor Graydon in THOROUGHLY MODERN MILLIE and many others. Theaters include: The Fulton Opera, North Shore Music Theatre, Music Theatre of Wichita, Pittsburgh Civic Light Opera, West Virginia Public Theatre, North Carolina Theatre, The Actors’ Playhouse in Florida and the Mountain Playhouse in Pennsylvania.
As a music director, Rob music directed the New York premiere of DEPARTURE LOUNGE (directed by Christopher Gattelli) at The Public Theater; Joe Iconis’ REWRITE (also arranged for Samuel French) at The Goodspeed Opera; HAIRSPRAY, at the John W. Engeman Theater, THE BEST LITTLE WHOREHOUSE IN TEXAS, at TriArts at Sharon Playhouse and others.
Rob teaches music theory and the pop/rock workshop at Cap21 and is the Finale music guru for the nationally recognized children’s theatre publishing giant, iTheatrics. Rob is a graduate of the University of Michigan with a BA in English and a BFA in Musical Theatre. He recently released his first studio album featuring many Broadway friends available on itunes. www.robertrockiki.com
A New York native, Justin is himself an alum of the MTCA program. He is so thrilled to coach and give each student the time, care and attention he got when he went through the program. Self-professed MT nerd since he was a tiny tot, Justin earned his BA at Northwestern University where he studied Musical Theatre and Dance. Regional and University credits include Drowsy Chaperone (Robert Martin), Rent (Mark), Cabaret (Emcee), West Side Story (Riff), Anything Goes (Billy Crocker).
Justin is currently traveling the country with the First National Tour of Nice Work If You Can Get It and continuing to coach at the same time.
A.J. (BFA, AEA, SAG-AFTRA) is a graduate of The University of Michigan’s Musical Theatre department. He has appeared on Broadway in Steve Martin and Edie Brickell’s Bright Star (Drama Desk nom.) and opposite Kelsey Grammer and Douglas Hodge in La Cage Aux Folles. He has worked on many musicals and straight plays, both original works and revivals, in New York and around the country, including productions at The Public, Second Stage, Soho Rep, Cherry Lane, The Irish Rep, The Kennedy Center, The Old Globe, Center Theatre Group, Theatre Under The Stars, and Long Wharf. A.J. likes to take a detail driven approach to discovering the story of a song. Prospective students should like the questions “what if?” and “why?”, and should be ready to make some bold ridiculous choices just for fun.
Marcus Stevens is a proud graduate of Point Park University and is a New York-based actor, teacher, playwright and director.
He most recently performed Off-Broadway as Mandy Patinkin, Matthew Broderick and many others in Forbidden Broadway: Alive and Kicking and Forbidden Broadway Comes Out Swinging! He can also be heard on the original cast recordings for both of these shows. Marcus has had the opportunity to work at many great regional theaters including The Walnut Street Theatre, The Pittsburgh Civic Light Opera, The Pittsburgh Public Theater, Sacramento Music Circus and The Kennedy Center. Favorite roles include Motel in Fiddler on the Roof, Sparky in Forever Plaid, Jamie in The Last Five Years, and the title role in Floyd Collins.
As a teacher, Marcus served on the musical theater faculty of Point Park University for three years before moving to New York, and has coached and directed students at Philadelphia’s renowned Upper Darby Summer Stage for the past 15 years. Marcus has also done workshops and masterclasses for students at ZAC Performing Arts Center (ZAC-PAC) and Young People’s Theater Workshop.
Marcus is a member of the BMI Lehman Engel Advanced Musical Theater Workshop, ASCAP and the Dramatists Guild, and is the recipient of the 2005 Richard Rodgers Award for his musical, Red (written with composer Brian Lowdermilk). He participated in the 2011 Johnny Mercer Songwriters Project held at Northwestern University. New York Theater Barn produced a showcase of his lyrics, and his musicals have been produced in Pittsburgh, Philadelphia, Fresno and New York. His musical Yo, Vikings! (written with composer Sam Willmott) was recently published by Samuel French, Inc.
For more information, check out www.marcus-stevens.com.
Joel Waggoner is an award-winning composer with an M.F.A from the NYU Graduate Musical Theater Writing Program. He is currently on the faculty of Pace University’s Musical Theatre Program. Joel was a 2012 Dramatist Guild Fellow and has shared his work with many esteemed dramatists including Stephen Sondheim, Lynn Ahrens, and Stephen Flaherty and Tom Kitt. His work has been showcased at Lincoln Center, Joe’s Pub, Barrington Stage, Goodspeed Opera House, Merkin Recital Hall, and many other venues. Joel’s bluegrass/rock musical Carolina Breeze received a workshop in June of 2012. Joel received the ASCAP Max Dreyfus Award for promise as a musical theater composer in 2009.
An an actor, Joel appeared as a Violinst/Storyteller in the award-winning musical Southern Comfort at CAP21. Other roles include Gianni Schicci, Al DeLuca in A Chorus Line, Sweeney in Sweeney Todd, and Muzio, a baritone and gypsy violinist, in the world premiere of the new opera Triumphant Love by Dr. Alan Schmitz.
In 2006-07, Joel traveled to Costa Rica as a part of the “Promising Young Artists of the 21st Century” series performing broadway music and presenting master classes and concerts.
Joel received his B.A. from the University of Northern Iowa with a double major in Vocal Performance and Violin.
For more info visit www.joelwaggoner.com
Vocal Technique Teachers
Chelsea graduated with a BFA from the University of Michigan’s Musical Theatre program. Favorite credits include Kiss Me, Kate and Singin’ in the Rain at the St. Louis MUNY, Joseph…Dreamcoat, and House of the Lord, a new musical at The Smith Center in Las Vegas, NV.
Since beginning her teaching career in 2008, Chelsea loves helping her students find their own unique voice, and build a foundation in healthy technique that will support them in their chosen genre. Chelsea is a Mentor Level Certified Instructor and member of the Institute for Vocal Advancement, an international organization dedicated to the education and integrity of voice teachers around the globe. As a Mentor Level teacher, she trains other teachers all over the world, and also offers her services as a musical theatre expert through IVA’s elective course program. Her students have been featured in a national Coca-Cola commercial, competed in NBC’s The Voice, are on Broadway and starring in National Tours, and are pursuing independent musical careers.
Amanda Flynn is a professional actress, singer, musical theatre educator, and voice teacher. As a performer, she was an original cast member of the LA company of Wicked understudying the role of Glinda. She was also part of the Las Vegas company of Mamma Mia as an understudy for Sophie, and the Laurey understudy in the national tour of the last Broadway revival of Oklahoma. Regional credits include Diana Devereaux in Of Thee I Sing at Bard Summerscape, Betty Blake in Will Rogers Follies at Stage Door Theatre, Urleen in Footloose at Carousel Dinner Theatre, A Christmas Carol at The McCarter Theatre, and Ragtime at The Fulton Opera House. Also numerous concerts, readings, workshops, and recordings throughout NYC including the album “I’m Ready: The Song of Rob Rokicki,” available on iTunes.
As an educator, Amanda is currently on faculty at CAP21 Musical Theatre Conservatory and Art House Astoria. She also recently finished teaching voice at NYU’s Steinhardt School. She has taught voice and musical theatre performance at The Studio New Canaan and Front and Center for the Performing Arts, and has an active private studio with students performing on Broadway, Off Broadway, national tours, and regional theatre. After studying voice at Baylor University, Amanda began performing professionally before finishing her BS in Liberal Arts at The New School. Amanda holds a MM in Vocal Performance with a Musical Theatre concentration as well as an Advanced Certificate in Vocal Pedagogy from NYU. She was the winner of the 2013 Janet Pranschke Professional Development Scholarship presented by NYSTA and completed the Mount Sinai Vocology Mentorship at the Eugen Grabscheid Voice Center in 2013 as well.
She is a member of NATS, NYSTA, AEA, and The Voice Foundation. www.amandaflynn.com
Alexa Green has become one of the most sought-after new voices and rising vocal stars of this generation. She is best known for her turn as Glinda in the Los Angeles and San Francisco companies of the hit Broadway musical Wicked. After playing to sold-out audiences for nearly two years, she went on to appear alongside Neil Patrick Harris and Patti LuPone in the international cinematic release of Stephen Sondheim’s Company with The New York Philharmonic live from Lincoln Center.
Alexa has toured both nationally and internationally as a singer and actor and is an alumnus of Stagedoor Manor, Perry-Mansfield Performing Arts Camp, and The Broadway Theatre Project. Alexa attended Holy Trinity High School on Long Island, New York, known for its impressive magnet theatre program, and went on to attend the prestigious University of Cincinnati’s College-Conservatory of Music, graduating magna cum laude with a BFA in Musical Theatre.
Alexa’s passion is the singing and speaking voice as well as the development of new musical theatre. She appeared as a guest star with The South Shore Symphony and The Symphony of Southern New Jersey, among others, and has been featured in the acclaimed concert series Broadway Sings with Carole King at Avery Fisher Hall and most recently with Aaron Tveit at Irving Plaza in NYC and on his concert tour. Alexa has toured the world as a guest artist aboard various cruise lines and throughout Asia. She received critical acclaim for her sold-out solo show, A Shining Hour, at Feinstein’s 54 Below. With much anticipation, Broadway Records recently released Alexa’s debut solo album, So Good. So Good was recently nominated among Broadway legends Idina Menzel, Kristin Chenoweth and Barbra Streisand and came out on top, winning Best New Solo Recording at the 2016 Broadwayworld Awards.
Alexa is a current Master’s student in music and music education with a specialization in vocal pedagogy and the applied studio at Columbia University Teachers College. She owns her own private voice practice in NYC and is in residence working with singers, actors and speakers both at the college and professional level. As an educator, Alexa chooses to focus on a student-centered approach to learning, celebrating the diversity of her students and employing a variety of methodologies within her studio. Alexa is passionate about vocal health and longevity and with a background in musical theatre and contemporary commercial music (CCM) styles, Alexa creates a multidisciplinary approach for the professional voice user in singing, acting, voice and speech, and vocal production. Alexa hopes to pursue her Doctorate and continue contributing to the field of pedagogy through her research and performance as a teaching artist and musician.
For more visit: www.alexagreen.com and follow Alexa on Facebook/Twitter/IG: @atAlexaGreen
Zach Miller is a professional actor and voice teacher from the suburbs of central New Jersey. He holds a B.F.A. in musical theatre from Penn State University, where he was able to fully immerse himself in vocal pedagogy classes and independent studies with the esteemed musical theatre and classical faculty. Zach is a proud alumnus of the MTCA program. He is extremely grateful for the direction and mentorship he received years ago and is overjoyed to provide this feedback now as a teacher.
Zach has appeared in the national tour of Anything Goes as the Tenor Quartet soloist and a featured dancer. He has worked at regional theatres including Pittsburgh CLO, Music Theatre of Wichita, West Virginia Public Theatre and The Connecticut Repertory Theatre. Zach also did a run as a lead vocalist with Celebrity Cruises Productions touring Bermuda, Canada, and the Western Caribbean.Zach is also co-founder of the Penn State a cappella group, “The Statesmen,” who have been featured on both BOCA (Best of College A Capella) and Voices Only. They have won multiple national recording awards and have had major success at the ICCA’s (International Collegiate Competition of A Cappella). Zach is a proud member of the Actors’ Equity Association.
In addition to MTCA, Zach teaches voice, acting, and piano at Cornerstone Music Studios and Lincroft Music Studios in New Jersey. His students have been accepted to High School performing arts programs and B.F.A. programs in addition to working in regional, national touring, and Broadway productions. It brings Zach great pride to help shape and motivate his students, particularly those looking to further their education in the arts. He looks to encourage his students to follow their instincts and develop their own fully energized, open, and supported sound.
Jenna Pastuszek, originally from Philadelphia, PA, is a professional actor, singer, voice over artist, musical theatre educator, and voice teacher. She received her first Masters in Teaching in Elementary Education from the University of Virginia (along with a BA in History and minor in French). Her second Masters is in Vocal Performance, with a concentration in Musical Theatre. She also has an Advanced Certificate of Vocal Pedagogy, both of which are from NYU Steinhardt. She’s studied at Circle in the Square Theatre School and Upright Citizen’s Brigade’s Improv program as well.
She is currently on the Musical Theatre vocal staff at The University of the Arts in Philadelphia after having previously taught at NYU. She works with The American Musical Theatre Academy, The Stage Theatre School, and Young People’s Theatre Workshop. She has an active private studio, Innovative Voice Studio, with students performing on Broadway, Off Broadway, in national tours, and in regional theatre. She is currently completing her Rock the Audition teacher training with Sheri Sanders. Jenna is an active member of NATS, The Voice Foundation, Opera America, MTEA, and NYSTA.
As a performer, Jenna is proud to say she has performed everywhere in the US from Maine to Florida, and from Boston to Breckenridge. Regional credits include the title role in Evita at Stage Door Theatre (for which she was nominated for a Carbonell Award for Best Actress in a Musical), Diner (directed by Kathleen Marshall) at Delaware Theatre Company, Because of Winn Dixie (directed by Marcia Milgrom-Dodge) at Delaware Theatre Company, Daisy Hilton in Side Show at The Media Theatre, Sister Mary Robert in Sister Act Lake Dillon Theatre Company, Brenda Strong in Catch Me if You Can at The Eagle Theatre, Bad Jews at The Walnut Street Theatre, The Incredible Fox Sisters at The New Ohio Theatre, Next Thing You Know at Sharon Playhouse, and Doria in Smile! with Musicals Tonight! at Theatre Row in NYC, among others. Up next, she’ll be playing Cathy in The Last Five Years at The Eagle Theatre. Also numerous concerts, readings, workshops, and recordings in NYC and Philadelphia.
She is a successful voice over artist having done national TV and radio commercials, audiobooks, blind captioning television narration, corporate training videos, and numerous educational video series. She is a proud member of the voiceover roster at Pandora Radio and has well over one hundred ads running throughout the country. www.JennaP.com
Tim hails from a small town on the shoreline of CT and is now a NY-based actor, singer, musician and teacher. He is proud graduate of NYU Steinhardt, where he earned his Master’s in Musical Theater and Vocal Pedagogy. Prior to that, he received a Bachelor of Science in Mechanical Engineering at UConn, then decided he would make more money singing and dancing.
As an educator, he has worked as an adjunct faculty member at NYU and is currently on the voice faculty at the New York Film Academy within the Musical Theater department. He also teaches vocal production at the American Academy of Dramatic Arts. Because busy is where it’s at, Tim also maintains a private studio in NYC called Innovative Voice Studio (alongside his partner in crime and fellow MTCA coach Jenna Pastuszek).
As a performer, Tim has played on stages all over the states, and internationally as far as Cairo, Egypt. Most recently, he was on a US tour with The Flyboys, a four part harmony group where vintage meets modern, with a unique big band twist. While on tour, he performed with both the Glenn Miller and Tommy Dorsey orchestras. Favorite regional credits include Mark in Rent at the Ivoryton Playhouse, Eugene in Grease at the Engeman, Skip in Life Could Be a Dream at the Mountain Playhouse and Dallas in Sweet Smell of Success at TheatreZone. In addition to performing on land, Tim had sailed the high seas with Disney and Norwegian Cruiselines, performing as a mainstage entertainer.
He is also the lead singer of the NYC based funk-rock band The Ninth. They recently released an EP called “The Answer”, now on Spotify.
Tim is a proud member of Actors Equity Association and is repped by Take 3 Talent. For more info, visit www.TJRussell.org | Instagram: @truss405
Peter Thoresen is an award winning voice teacher, performer and music director. He is internationally in demand as a voice teacher, choral conductor and music director, and his students appear regularly on Broadway and off-Broadway and in national tours in shows including Wicked, Matilda, Something Rotten, Kinky Boots, Les Miz, Evita, Flashdance, You’re a Good Man Charlie Brown and Liberty: A Monumental New Musical, among many others. His students appear in film and on network and premium television (Orange is the New Black, Broad City) and record regularly for the Columbia and Broadway Record labels. Peter’s students include Tony Award nominees and have performed at the Tony Awards and at venues from Manhattan (Feinstein’s/54 Below, Joe’s Pub, etc.) to New Zealand. Peter is a voice professor at Pace University (PPAMT), and owns a thriving private voice studio in Manhattan: Peter Thoresen Vocal Studios. He is also on the faculties of Broadway Kids Auditions (BKA) in NYC, and the YES Academy ASEAN in various southeast Asian countries.
Jared Trudeau is the second-ever graduate of the MFA in Voice Pedagogy for Musical Theatre program at Penn State. Jared grew up in rural Woodstock, CT and travelled to Tufts University for his undergraduate studies, intent on becoming a doctor. During his sophomore year, he realized that he did not want to be a physician and that he had to help people through music. He performed lead roles in operas and musicals, in addition to musically directing many productions. All the while, he was teaching voice lessons. He ultimately graduated summa cum laude with degrees in Music and Psychology, being the recipient of the Outstanding Achievement Award for the Department of Music as well as the Sal Soraci Prize for Excellence in Psychology. During his senior year, he wrote Belting Beauties and Soaring Sopranos: Voice Pedagogy to Address the Wide-Ranging Needs of Women in Musical Theatre, for which he received Highest Thesis Honors. While doing his research, he met Mary Saunders-Barton from Penn State, who would become his graduate mentor.
Following Tufts, Jared enrolled in the MFA Voice Pedagogy for Musical Theatre program at Penn State. Over the next three years, he immersed himself in classes in vocal pedagogy, acting, voice & speech, dance, and somatics, resulting in his holistic approach to teaching voice. During his studies, it was a running joke that Jared was doing all of the coursework for a mini-BFA within his terminal MFA degree. Jared also performed lead roles in both opera and musical theatre productions including Cosi fan tutte (Ferrando), Little Women the opera (John Brooke), Avenue Q (Rod), Bernstein’s Mass (Rock Singer/Celebrant cover), and Poems and Moon Songs– which was composed by fellow MTCA coach Will Reynolds.
Jared has been a guest lecturer and clinician in Pennsylvania, New York, and all over New England. He has presented research on cross-training the singing voice and the integration of spoken and singing voice technique at several academic conferences. In addition to MTCA, Jared maintains a private studio and is on the voice faculty at CAP21. His students have been accepted to BFA and BM programs and performed all over the country in regional, national tour, and Broadway productions.
Christy Turnbow has an MFA in Musical Theater Voice Teaching from Penn State University. She is the first graduate of this program, which is the only voice teaching program in the country that focuses specifically on Musical Theater singing.
She was adjunct faculty at Brigham Young University. While working on her MFA at Penn State she taught acting majors and assisted with the freshman musical theater voice class. She has been teaching in her private studio for more than a decade.
Christy is also highly involved in educating other voice teachers about mix/belt singing. In the past year she has teamed with Mary Saunders-Barton to give presentations at the Musical Theatre Educators Alliance in St. Louis, at the Voice Foundation in Philadelphia and, at the International Congress of Voice Teachers in Brisbane, Australia. She is a member of the National Association of Teachers of Singing.
Christy also has more than a decade of performing experience. She played Marian Paroo on the National Tour of the Susan Stroman revival of The Music Man. She has also been seen as Marguerite in The Scarlet Pimpernel, Mabel in Pirates of Penzance, Christine in Phantom, Fiona in Brigadoon, and Guenevere in Camelot. Recently, her performance experiences at Penn State have ranged from Fiordiligi in Così Fan Tutte to Maria in Love’s Labour’s Lost to a multimedia cabaret exploring the definition of a diva.
Christy has a Bachelor of Music from Brigham Young University in Vocal Performance. She grew up in Salt Lake City, Utah where she joined a church children’s choir when she was six and has been singing ever since.
Amy was born and raised in the Philadelphia area. After completing her undergraduate degree (BA Psychology) at The University of Pittsburgh, Amy went on to receive her Master’s degree in Social Work from The University of Pennsylvania. She has been working with students and their families for over 25 years in a variety of settings. Amy started her private counseling practice 20 years ago and in the last 5 years she has seen a growing need for assistance in the area of college advising.
Amy is committed to the belief that each individual has a unique set of talents, abilities and interests that can be enriched and developed with the proper guidance. She enjoys working with students to try to make the college application and audition scheduling process more fun and interesting, and less stressful, confusing, and anxiety-provoking.
Amy resides in South Jersey with her husband and two children. Her son Jack is a recent MTCA alumnus. Being a college audition parent survivor combined with her social work/counseling background provides Amy with a unique perspective allowing her to offer comprehensive guidance to students and their families through the college process.
MTCA Founder Ellen Lettrich brings a unique educational background to the world of theatre college advising. Ellen has been “two-pronged” for her whole life: a passionate singer-actress who also loves and excels in academia. She attended Villanova on a full academic Presidential scholarship, beginning as a nursing major and graduating in 1991 Summa cum laude and Phi Beta Kappa with a dual degree in Honors and History from Villanova University. While at Villanova, she founded Villanova Student Musical Theatre, a student-run group which is still going strong. Ellen then attended UCLA for graduate work in history, where she was one of 12 people in the entire UCLA graduate student population to receive a Chancellor’s Fellowship. After leaving UCLA, she returned to her hometown of Pittsburgh and got a post-baccalaureate secondary teaching certificate. At this time, she also began her work in educational theatre as a teacher and director and continued to perform. In 1995, she finished her teaching certificate program and began 7 years of full-time high school teaching. During that span did she graduate work at the University of Akron School of Theatre and the NYU Steinhardt School of Education. In 2003, her continued love of both medicine and singing drew her to begin full-time graduate work at Duquesne University in Speech-Language Pathology with a focus in Voice Pathology. During this time, her individual college coaching services began to form into what is now MTCA. Ellen earned her M.S.in 2007 and worked as a Voice and Speech Pathologist at the University of Pittsburgh Voice Center from 2007-10 and at Weill Cornell’s Parker Institute for the Voice in NYC from 2010-16. She now maintains a private voice therapy practice and continues to actively develop MTCA’s focus on our students learning and maintaining healthy singing and dance technique for the college audition process and for the rest of their lives.
Ellen is a self-described “school nerd”. She continues to love academics and educational design and created MTCA’s philosophy that all students can find a higher education fit that allows them to pursue their passions, whether those passions are clearly defined or not. Her varied educational experiences both as student and teacher gives her the perspective to help families formulate school lists that fit as many of the student’s educational criteria as possible, no matter how diverse those criteria are.
Lee graduated Phi Beta Kappa from Johns Hopkins University’s Writing Seminars program, where he studied with acclaimed authors including Chaim Potok and two-time National Book Award nominee Stephen Dixon; he went on to earn his MFA from New York University’s Graduate Acting Program. His original writing has been produced by London’s Mountview Academy of Theatre Arts, as well as by New York’s 52nd Street Project, where he has taught, coached, and mentored teenagers for over a decade. Lee also teaches at the postgraduate level, in the interdisciplinary MFA Visual Narrative program at New York’s School of Visual Arts.